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Small Talk At 125th And Lenox
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Small Talk at 125th and Lenox is the debut live album by Gil Scott-Heron, released in 1970 under Flying Dutchman Records. The album showcases a fusion of jazz poetry, proto-rap, and spoken word, recorded at the 125th & Lenox Nightclub in New York City. Initially, it was believed that the recordings took place at the nightclub itself, but later clarification revealed that a small audience was brought to a studio setting. By the time of this recording, Scott-Heron had already established himself as a published poet and novelist.
The album, well-received by critics, is noted for its imaginative material and sharp social critique. Notably, John Bush of AllMusic described it as “a volcanic upheaval of intellectualism and social critique.” The tracklist includes iconic pieces like “The Revolution Will Not Be Televised” and “Whitey on the Moon”.
In terms of legacy, the album continues to influence contemporary artists. For instance, Leon Bridges performed a rendition of “Whitey on the Moon” for the 2018 film First Man, which garnered attention for its inclusion in the film’s soundtrack.
The personnel involved in the album’s creation included David Barnes, Charlie Saunders, Eddie Knowles, and Gil Scott-Heron himself. Bob Thiele served as the producer.
Small Talk at 125th and Lenox remains a significant milestone in Scott-Heron’s career, embodying his unique blend of music and social commentary.
A1a Introduction
A1b The Revolution Will Not Be Televised
A2 Omen
A3 Brother
A4 Comment #1
A5 Small Talk At 125th & Lenox
A6 The Subject Was Faggots
A7 Evolution (And Flashback)
B1 Plastic Pattern People
B2 Whitey On The Moon
B3 The Vulture
B4 Enough
B5 Paint It Black
B6 Who'll Pay Reparations On My Soul ?
B7 Everyday
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