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At San Quentin
£25.00
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Johnny Cash does not sound like a visitor at San Quentin. He sounds as if the prison has altered the balance of power in the room. Recorded before inmates on 24 February 1969, At San Quentin captures a performer responding to an audience whose reactions are immediate, loud and impossible to manage politely. Jokes land harder, defiance becomes sharper and songs about confinement suddenly carry consequences they would never have in an ordinary concert hall.
The album was Cash’s second major prison recording after At Folsom Prison, and Bob Johnston again produced. Granada Television filmed the performance, while Cash’s touring circle included June Carter Cash, the Carter Family, Carl Perkins, the Statler Brothers, bassist Marshall Grant, drummer W. S. Holland and guitarist Bob Wootton. The original album was a concise nine-song document, but even within that compact running time the atmosphere keeps changing between humour, gospel feeling, country storytelling and open confrontation.
“A Boy Named Sue” became the breakout moment, earning Cash the Grammy for Best Country Vocal Performance, Male. Its comic narrative works partly because the San Quentin crowd understands every turn of humiliation and retaliation. The title song, meanwhile, directly addresses the institution hosting the performance, giving the inmates the delicious spectacle of a major star singing against the prison from inside it. A famous photograph of Cash giving the middle finger was also taken during the performance, reportedly in frustration with the television crew blocking his view of the audience.
At San Quentin reached number one on the US album chart, but reducing it to a successful live record misses what makes it gripping. Cash’s authority comes from the way he listens to the room. He is funny without patronising the inmates, confrontational without turning them into scenery, and willing to let the roughness of the event remain audible. It is a live album where context does not merely surround the songs; context changes what every song means.
A1 Wanted Man
A2 Wreck Of The Old 97
A3 I Walk The Line
A4 Darling Companion
A5 Starkville City Jail
B1 San Quentin
B2 San Quentin
B3 A Boy Named Sue
B4 (There'll Be) Peace In The Valley
B5 Folsom Prison Blues
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